Sat, 25 Jul 2026
Pavilion Arts Centre
Buxton, United Kingdom
Pete Roth Trio
Pete Roth / Mike Pratt / Bill Bruford
“Brilliantly unruly”
Fasching, Stockholm
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About PRT
Small rooms. Sharp turns.
PRT strives for an intimate, relatively unscripted music that thrives in small places and dark corners. Jazz, funk, contemporary classical, Dvorak. Nothing is sacred. It is not retro. It is not comfortable. It is just brilliantly unruly.
The Pete Roth Trio, featuring Pete on guitar, Mike Pratt on bass, and Bill Bruford on drums, offers a near-jazz experience that is intimate, improvised, and deeply interactive.
The music unfolds as a conversation between players and audience, where every performance becomes a unique exploration of sound, texture, and connection.
Full About
Guitar
Pete Roth
A versatile guitarist and composer, Pete brings melodic risk, electric detail, and a wide jazz vocabulary to the trio.
Read bioPhoto: Leon Barker
Bass
Mike Pratt
Mike moves between groove, composition, and improvisation, making the bass an equal partner in the conversation.
Read bioPhoto: Leon Barker
Drums
Bill Bruford
Internationally known as a rock musician, Bill brings exacting jazz instincts and a taste for the unexpected.
Read bioPhoto: Leon Barker
Featured videos
Watch the trio
Watch now
Pete Roth Trio feat. Bill Bruford New DVD Preview
New DVD preview
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Summertime
Live in Donostia / San Sebastian
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How Insensitive
Live at Jazzaldia
Watch now
Guitar Solo Ending
Antonio Carlos Jobim's How Insensitive
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Full Circle Bass Break
Live at Trading Boundaries
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Full Circle
Live at Trading Boundaries
Featured release
The Best of Bill Bruford
The Winterfold & Summerfold Years
A 3 CD box set reissuing two long out-of-print albums and collecting drummer, composer, and bandleader Bill Bruford's recordings for the Winterfold and Summerfold labels.
The package has been re-designed by Dave McKean and overseen personally by Bill.
Reviews
“Absolutely astonishing and amazing musicianship”
“One sign of the players' immense professionalism was that it did not need to be put on display. Even the most virtuosic solos avoided unnecessary showboating, and rich soundscapes were built at times with striking subtlety.”
“'Full Circle' [was] a driving funk original with plenty of effects pedal over a bass-drum groove, and it was here rather than in the jazz tunes that the band sounded as though they had found their natural habitat.”